And it’s a USB! Well, that’s what Science Daily says it’s made of, anyway. It’s formally called a “Xi_b^*” and it’s just been spotted at the Large Hadron Collider: In the course of proton collisions in the LHC at CERN, physicists Claude Amsler, Vincenzo Chiochia and Ernest Aguiló from the University of Zurich’s Physics Institute managed to detect a baryon with one light and two heavy quarks. The particle Xi_b^* comprises one “up,” one “strange” and one “bottom” quark (usb), is electrically neutral and has a spin of 3/2 (1.5). Its mass is comparable to that of a lithium atom. The new discovery means that two of the three baryons predicted in the usb composition by theory have now been observed. … The discovery of the new particle confirms the theory of how quarks bind and therefore helps to understand the strong interaction, one of the four basic forces of physics which determines the structure […]
30 April 2012
This is one of a whole deck of… well, they’re practically a technological tarot, really. They’re playing cards illustrating concepts in engineering. (The two of diamonds is also beautiful, though some might prefer the human figures in cards like the seven of clubs.)
They were originally collected by William Barclay Parsons, the chief engineer of the New York City subway. He was on the library board from 1911 to 1932, when he died. More importantly, he also donated a set of mechanics pla…
The one carries oxygen around, the other keeps the system clean. They’re teeny tiny.
Image from the Electron Microscopy Facility at The National Cancer Institute at Frederick (NCI-Frederick).
SOURCE:Based on “Lasers used to levitate glowing nanodiamonds in a vacuum”, Science Daily, 7 Sep 2015, as used in the post “A laser levitating glowing nanodiamonds in a vacuum..”
ABSTRACT: I really wanted to use “A laser levitating nanodiamonds in a vacuum” as a lyric, because it’s got such a great rhythm, but no, it didn’t happen.
Musically, things fell together well – I came up with chords on a guitar, and t…
ARTIST: grant, featuring Sebastian Balfour. (Originally by Harry Nilsson.)
SOURCE: It doesn’t have a research source. It’s a penitential cover of a haunting song by Harry Nilsson that Three Dog Night turned into a prog anthem, which Aimee Mann turned into stunning reclamation project. Nilsson still wins.
ABSTRACT: I’ve been a penitential cover* behind for months and months. I first had the idea of doing this song in something like this way …
I like the desert in Nevada already because of the sense of perspective – such wide, flat spaces (wider and flatter even than Florida’s water-level wet prairies), sometimes flanked by mountains just big enough to provide a frame of reference. This is how small you are. This is how far you have to go.
That’s the ideal landscape for this kind of project. How big are we really? How far away is the place next door?
This far away. …