WaPo and Slate give us the scoop on the Deepwater Horizon aftermath. Why was the Exxon Valdez so much more of a mess? Because the warm, murky Gulf of Mexico is germier: But even if we halted human activity in the gulf, natural seeps from the sea floor would still send 42 million gallons of oil into gulf waters each year. These seeps actually prevented the BP spill from being an even worse disaster. The gulf has more natural seeps than any other body of water in or around North America. Because of this constant supply of hydrocarbons, there is always a healthy population of bacteria floating around the gulf looking for more food. When BP’s well blew out, these tiny creatures went into a feeding frenzy. … Bacteria are far more reproductively agile (so to speak) than mammals, which take years to adjust their population size to changes in food supply. Within 24 hours […]
1 February 2011
This is one of a whole deck of… well, they’re practically a technological tarot, really. They’re playing cards illustrating concepts in engineering. (The two of diamonds is also beautiful, though some might prefer the human figures in cards like the seven of clubs.)
They were originally collected by William Barclay Parsons, the chief engineer of the New York City subway. He was on the library board from 1911 to 1932, when he died. More importantly, he also donated a set of mechanics pla…
The one carries oxygen around, the other keeps the system clean. They’re teeny tiny.
Image from the Electron Microscopy Facility at The National Cancer Institute at Frederick (NCI-Frederick).
SOURCE:Based on “Lasers used to levitate glowing nanodiamonds in a vacuum”, Science Daily, 7 Sep 2015, as used in the post “A laser levitating glowing nanodiamonds in a vacuum..”
ABSTRACT: I really wanted to use “A laser levitating nanodiamonds in a vacuum” as a lyric, because it’s got such a great rhythm, but no, it didn’t happen.
Musically, things fell together well – I came up with chords on a guitar, and t…
ARTIST: grant, featuring Sebastian Balfour. (Originally by Harry Nilsson.)
SOURCE: It doesn’t have a research source. It’s a penitential cover of a haunting song by Harry Nilsson that Three Dog Night turned into a prog anthem, which Aimee Mann turned into stunning reclamation project. Nilsson still wins.
ABSTRACT: I’ve been a penitential cover* behind for months and months. I first had the idea of doing this song in something like this way …
I like the desert in Nevada already because of the sense of perspective – such wide, flat spaces (wider and flatter even than Florida’s water-level wet prairies), sometimes flanked by mountains just big enough to provide a frame of reference. This is how small you are. This is how far you have to go.
That’s the ideal landscape for this kind of project. How big are we really? How far away is the place next door?
This far away. …
This is a jellyfish drawn by Philip Henry Gosse, a naturalist and Creationist (!) who gave us the word “aquarium” as a place to see marine creatures. Before Gosse, an aquarium was a place to water cattle.
He built the very first public one as the “Fish House” of the London Zoo in 1853.
A few years later, he published a book trying to prove that fossils couldn’t disprove Genesis because of course the act of creation would make things appear to be older than they are. …